Bisi had recorded early rappers and local avant-garde musicians such as John Zorn, Elliott Sharp and Bill Laswell. Background Īfter a period of intense songwriting, the band entered producer Martin Bisi's BC Studio – implicitly, "Before Christ Studio", which is how the band credited it on the album – in Brooklyn, New York in September 1984. They retreated to the rehearsal room, retuned their guitars and changed their equipment so that they were unable to play their old songs, and began writing new material. When they returned to New York, the queue at CBGB for the band's concerts went around the block.īy mid-1984, Sonic Youth were playing almost weekly in the city, but its members started to realize that there was little future in their musical approach Moore later said, "it was getting to the point of overkill". The New York press largely ignored Sonic Youth (as well as the noise rock scene in the city), until after a disastrous London debut in October 1983 that actually received rave reviews in British papers Sounds and NME. Bob Bert rejoined Sonic Youth after the Confusion Is Sex tour in mid-1983. Idols in 1983, several drummers joined and left the band. As Sonic Youth released a number of albums and EPs to increasing critical acclaim, including Confusion Is Sex and Kill Yr. The band signed to Glenn Branca's Neutral Records, releasing the Sonic Youth EP in March 1982. Sonic Youth was formed in New York City in 1981 by guitarists Thurston Moore and Lee Ranaldo and bass guitarist Kim Gordon. The album was named after the 1969 song " Bad Moon Rising" by Creedence Clearwater Revival. The album was preceded by the single " Death Valley '69", which did not chart in either the US or UK (the track was re-recorded for the album and released again as a single in June 1985). Released to strong reviews from the underground music press, Bad Moon Rising was the band's first album to combine experimental material with transitional pieces and segues. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans. His loss, I guess.Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. While Sonic Youth’s version has gone on to become one of the most lauded versions of the track, the Carpenters’ surviving member, Richard Carpenter, has famously said he doesn’t particularly care for Sonic Youth’s version of the song. Gone were the light and easy instrumentation, and instead, we were given an excursion into that of the noisy New York alternative rock scene. Likewise, the group’s infamously intricate guitar-tunings were used to create a vibe completely removed from the original. Maintaining the song’s feeling of loss and loneliness, Sonic Youth’s Thurston Moore used his vocals to create a dark and moody atmosphere. However, Sonic Youth considered the Carpenters an influence, and dutifully recorded a cover of ‘Superstar’. Now, if one was to look at the Carpenters, often considered a staple of AM-radio easy listening, one would see almost no resemblance to that of Sonic Youth, the highly experimental alternative noise-rock group. In addition to brilliant covers from artists such as Shonen Knife (who covered ‘ Top Of The World‘), and The Cranberries (who covered ‘ (They Long To Be) Close To You‘), was the record’s sole single Sonic Youth’s version of ‘Superstar’. Gone was the soul-styled vocals of the original, and it’s sexual overtones, and instead, Karen Carpenter’s vocals were added into the mix, giving the song a deep feeling of loneliness and loss, as was originally intended by the song’s writers.Īs year’s went by, numerous bands took inspiration from the works of the Carpenters, so much so that a compilation CD was issued in 1994 that saw bands who considered the group as influences, covering their songs. The Carpenters’ version was a hit, with many stating that the Carpenters cover was far superior and emotional than the original. Instead, the song was passed around between numerous musicians until it received a great deal of success thanks to a little duo called the Carpenters, who renamed it ‘ Superstar‘. This B-side was called ‘ Groupie (Superstar)‘, and wasn’t overlooked as many B-sides of the era were. That single featured, as many did, a B-side. Back in 1969, Delaney & Bonnie released the song ‘ Comin’ Home‘.
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